The Future of Design Is . . . . Oh, Wouldn’t You Like to Know?
Originally published in AIGA Voice, September, 2009. Why do designers obsess about the future? Admit it. We do. In the after party of a recent conference—and why is this where all
Out Of My Hands DC
Out of My Hands: Washington, DC Tue, Oct 16, 2012 Polygraph 528 F Street Terrace SE Washington, DC 20003 For the second night of AIGA DC Design Week 2012, participants joined workshop
Out Of My Hands Baltimore
A Participatory Workshop led by Helen Armstrong and Zvezdana Stojmirovic Monday, Oct 15, 2012, Maryland Institute College of Art photography by Jennifer Marin To launch AIGA Baltimore’s Design Week 2012,
Critique Prompt Project
Hello Designers and Educators! We want to improve the graphic design critique through a new flickr project. We’re collecting critique prompts from awesome people like you, and we’d love for
Participate Pilsen!
Participate Pilsen! Rod Northcutt (Miami Assistant Professor of Sculpture) and I travelled to the Czech Republic in July to lead a Participatory Art and Design Workshop at The University of
Crowdsourced Design or Cheap Labor?
One of our students asked me recently about design sites that claim to crowdsource design. Although many fabulous participatory projects are currently happening that use peer production in innovative ways
Participate—Korean-style
Participate has been translated into Korean! A Chinese version is in the works.
Participatory Design Workshop at University of Tennessee
Last week I traveled to Knoxville, Tennessee, to lead a participatory design workshop with University of Tennessee juniors. The assignment:Find 20 people who have something unusual in common. Construct a
Design Double Feature Book Launch
In November, MICA graciously hosted a Design Double Feature Book Launch celebrating the release of my new book Participate: Designing with User-Generated Content (Princeton Architectural Press) along with Ellen Lupton’s
Design for Social Change During Senior Year.
We’ve been busy preparing for the 2012 senior year. This year, thesis projects will have a general theme of “Design for Social Impact.” To support this concept, we are bringing
Digital Design Theory
This book begins in the 1960s, a period in which code began to pervade the design world. Essential works not only by designers, but also programmers, present the two threads of discourse—design and computation—that have rapidly merged into the increasingly interactive field of contemporary graphic design.
Read more on the companion website: digitaldesigntheory.net
